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Salsa Dance by Night, Salsa Dream by Day
by Erin Salona
posted July 6, 2004
Note: Pseudonyms have been implemented
when necessary to protect the anonymity of Indy Salseros and Salseras;
however, quoted material remains true to their voices.
Nicole prepares for a night of dancing, a celebration of Salsa, a spiritual
rendezvous of sorts. She mentally practices her patterns as she listens
to the sonorous rhythms of Victor Manuelle and smiles as she recalls
a past evening of significantly steamy Salsa. Envisioning herself in
a fabulous black cocktail dress, she considers a quick shopping trip
to enunciate her confidence. Nicole visualizes herself gliding her toes
between the leathered feet of men, dragging her stiletto heels along
the fragmented ends of blue-tipped lights and halos of red. Her heels
bend and dissolve into the pulses of drums and the melting of sound
and sweat while she clings to the machismo of men. The men who coil
their gestures into the urgency of seduction. The men who breathe inglés
con chile y cilantro with promises of the Cuban shores and the Mexican
moon across ticking bodies and fresh mouths. . . "What are we doing
today?" a voice interrupts. She turns from her desk to observe
thirty teenagers sitting in their desks waiting for something other
than a Salsa lesson. She panics. She hasn't even listed the agenda for
the day on the board and the bell has just rung. "What is that
noise? It sounds like we're at Don Pablos," Chris, a particularly
smug student, remarks. Nicole sighs. She's done it before, and she'll
do it again: "Everyone, clear off your desks. It's time for a pop
quiz over Transcendentalism."
So the question is: How does Salsa dancing affect our professional lives?
Are we simply going through the motions at work in order to accommodate
an exhilarating social life? Or does the enjoyment we experience dancing
actually promote our careers?
Three years ago when Nicole began interviewing for teaching positions,
she was asked, based on information supplied on her resume, "What
is Latin dancing and when can you teach us how to do it?" She provided
a brief background on the Salsa, Rumba, Mambo, and Cha Cha and her involvement
with the dances, and within that week she was able to choose from teaching
positions offered to her by the two top high schools in the state. Like
Nicole, Antonio, an engineering professional, experienced the same question
at his interview. He contributes, "During one interview last year,
my only question was 'What is Salsa dancing?' and guess what. . . I
was offered the job!" Salsa dancing helps to differentiate us from
other professionals, and perhaps this is due to the passion emanating
from us when we discuss the dance. But does this passion drive us through
our daily grinds at work?
Rick, a Psychology professor at the University of Indianapolis, views
Salsa dancing as beneficial to his career. He states, "Whether
I'm going to a Salsa lesson or a club to dance, I can expect that I
will be doing something completely different from work. Salsa is physical
and kinesthetic; it is about balance, movement, and relationship. After
an evening of Salsa dancing, the next day I feel more alive at work.
I laugh, have energy, and focus-it makes my life feel fuller. As a professor,
my work involves reading, thinking, writing, and talking; and I can
do each better when I'm feeling nourished in body and mind."
Taz, a Lily employee, professor, and our own personal Salsa dj, shares
a similar attitude with Rick. Dj Taz remarks, "I love going dancing.
The strangest thing always happens the morning after some hard-core
dancing. Instead of being tired because I've only had five hours of
sleep, I always wake up energetic, upbeat with a general positive outlook
to my life. In fact, when I wake up to go to work, the music is still
playing loud in my head. Some co-workers have commented that I come
into work on Fridays with a big smile on my face, and I am hugging everyone
and shaking their hands. Once when I thought no one was looking, a co-worker
caught me do a side step and a turn with an imaginary partner in front
of the elevator mirror." [Who was this "invisible" gal,
Taz?] Taz was a bit embarrassed after getting caught in the act, but
he adds "that [good] feeling lasts all day!" All of us have
experienced this Salsa high from time to time, but the majority of us
have difficulty focusing on our work after a late night Salsa party.
Scary thought: an air-traffic controller who Salsa dances--- 'Sure,
land, whatever. Take off? Alright. Just get these planes outta here
so I can go dance!'
Antonio is representative of those of us who aren't always "there"
after a night or two of dancing. "I daydream about moves at work
and I am tired after a night of dancing. . . not to mention driving
home," he comments. On the positive side, however, he adds, "The
good thing about Salsa is that it keeps life in perspective and does
not let me make work my life. (Although I still have to work so that
I can afford to go on those Salsa trips!)" All of us have either
been exhausted the day after or two days after a late Salsa-nighter-come
on, admit it. But think of all the stories we have to share with our
colleagues who can only rant about the horrific requirements of their
work or married lives or are only excited after a compelling American
Idol episode. We've got it good, and that ain't bad.
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